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| EDUCATION |
| 2018 | PhD in Electroacoustic Music Composition and Sonic Arts (Environmental Composition / Ecological Sounding Art Approaches), Sonic Arts Research Centre (SARC), Queen´s University Belfast, Northern Ireland, UK |
| 2012 | Bachelor of Fine Arts, ArtScience Interfaculty, University of the Arts, The Hague, NL |
| 2008 | Postgraduate Diploma in Sonology, Institute of Sonology, Royal Conservatory, The Hague, NL |
| 2004 | Advanced Diploma in Music Production and Sound Engineering, Puerta Bonita, Madrid, ES |
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| SOLO, TWO-PERSON & COLLABORATIVE EXHIBITIONS (SELECTED) |
| 2016 | PS⁴, PS² Gallery, Belfast, NI, UK |
| 2015 | m·e·s·h, Framewerk Gallery, Belfast, NI, UK |
| 2013 | DUO & sharawadji, Matadero Contemporary Art Center, Madrid, ES — Public |
| field, B93, Enschede, NL |
| 2012 | Transient Lapse (w/ Juan Cantizzani), Lekstraat-Schenkkade tunnel, The Hague, NL — Public |
| 2011 | Empremtes Sonores, INLAND Campo Adentro, Caixa Manlleu, St Bartomeu del Grau, Barcelona, ES |
| 2010 | Sounding Site (w/ Juan Cantizzani), CSA La Tabacalera, Madrid, ES |
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| GROUP EXHIBITIONS & DIFFUSION EVENTS (SELECTED) |
| 2019 | Lights Out, Old Hairdressers, Glasgow, SC, UK |
| 2018 | The Futch, Sala de Arte Joven, Madrid, ES |
| Exposition Audioblast, La plateforme Intermédia, La Fabrique, Nantes, FR |
| Same Place (w/ Umbrella Collective), Sonorities Festival, SARC, Belfast, NI, UK |
| 2017 | CHARIVARIA, CentroCentro, Madrid, ES |
| Sounding, resonating, vibrating, Gallery Sokolská 26, Ostrava Days Festival, CZ |
| 2016—17 | Sound Art in Spain (1961–2016), Fundación Juan March, Madrid, ES |
| 2016 | Sonic Environments, ACMC 2016, Griffith University, Brisbane, AU |
| Hipersonica, FILE: Electronic Language International Festival, SESI, São Paulo, BR |
| xirminja nahpy benry, Sonorities Festival, SARC, Belfast, NI, UK |
| Helicotrema Festival: Current Scapes, IT |
| 2015 | Sound / Place, St James Hatcham Church, Goldsmiths, University of London, UK |
| Brooklyn Acoustic Ecology Festival, New York City, USA |
| INTER-#5, The Only Way is Ethics Festival, Glasgow, SL, UK |
| A listening room: Organisation, MAA::tila Gallery, Helsinki, FI |
| 2014 | Itinerario, ¡VOLUMEN! Festival de Culturas Sonoras, La Casa Encendida, Madrid, ES |
| Rhizzo: De Supermarkt, Rhizomatic Project Space, Amsterdam, NL |
| The Dark Outside, Galloway Forest, SL, UK |
| (h)ear XL II, Kunstencentrum Signe, Heerlen, NL |
| Sonic Forest, Lawrence Street Workshops, Belfast, NI, UK |
| Invisible Places: Sounding Cities, Viseu, PT |
| audio-mad. 100 audio-artist(a)s (de)from madrid, CentroCentro, Madrid, ES |
| Round Buttons Square Tones, PS² Gallery, Belfast, NI, UK |
| Sonorities Festival: Remembering and Forgetting, SARC, Belfast, NI, UK |
| 2013 | Acoustic Ecology Symposium, University of Kent, UK |
| Augmented Spatiality, Stockholm, SE |
| Sonorities Festival: Beyond Soundscape, SARC, Belfast, NI, UK |
| 2012 | Barcelona Sound Limit, Zeppelin Festival, CCCB, Barcelona, ES |
| Urban Observatory Festival, Torun, PL |
| 2011 | INLAND Campo Adentro: Art, Agriculture & Territory, La Casa Encendida, Madrid, ES |
| Exquisite Corpse, SoundFjord Gallery, London, UK |
| INLAND Campo Adentro: Art, Agriculture & Territory, Medialab-Prado, Madrid, ES |
| 2010 | eight impressions, Koninklijke Academie van Beeldende Kunsten (KABK), The Hague, NL |
| Elevator Music, Gallery Aferro, Newark, USA |
| Hubertus Geluidswandelingen, Hubertus Park, The Hague, NL |
| 2009 | den haag onderwater, Sound and Music Computing Conference (SMC), Casa da Música, Porto, PT |
| Illuminated Corridor: Port Radio, Middle Harbour Shoreline Park, Oakland, US |
| Geluidpost, Lokaal 01, Breda, NL |
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| IMMERSIVE CONCERTS, SOLO & COLLABORATIVE LIVE PERFORMANCES (SELECTED) |
| 2016 | Cafe OTO, London, UK |
| EARSHOTS!, One Hundred Years Gallery, London, UK |
| MWW Wroclaw Contemporary Museum, Wroclaw, PL |
| IMHHH Festival, PRAHA, Brno, CZ |
| twilight concert, Nová Synágoga, Zilina, SK |
| ZVO.CI.TI (so.und.ing) DUO (w/ Bostjan Perovšek), Kinošiška, Ljubljana, SI |
| Beli šum, Centralna Postaja, Maribor, SI |
| Red Noise, Aurora, Budapest, HU |
| Gallery Školská 28, Prague, CZ |
| Verein für Elektroakustische Musik (VELAK), Vienna, AT |
| 2015 | Sonic Fontières Festival, APO-33, La Plateform Intermédia, Nantes, FR |
| Sonoscopia, Porto, PT |
| 2014 | sound.Art series, MKII Gallery, London, UK |
| Hideous Porta 9, London, UK |
| 2013 | European Acoustic Heritage, Archaeological Park of Campo Lameiro, Pontevedra, ES |
| Q-O2, Brussels, BE |
| HS63, Brussels, BE |
| Hydrophones III, Auditorio L´estartit, Girona, ES |
| Ephémère, Studio Loos, The Hague, NL |
| From 20 to 20000 Hz (DJ Set), Villa-k, The Hague, NL |
| nnnnn [noise=noise], London, UK |
| 2012 | Sonikas Festival X, Madrid, ES |
| MEX, Künstlerhaus Dortmund, DE |
| (h)ear Festival #2: The Art of Sound, kunstencentrumSigne (kuS), Herleen, NL |
| IAM Gallery, Madrid, ES |
| Wonderwerp, Studio Loos, The Hague, NL |
| From 20 to 20000 Hz (DJ Set), Klangmaschine, Espacio Trapézio, Madrid, ES |
| 2011 | ZKM, Audio Kultur Festival, Europe: A Sound Panorama Concert, Karlsruhe, DE |
| Wonderwerp, Studio Loos, The Hague, NL |
| SON Festival, National Auditorium of Music, Madrid, ES |
| Ephémère, Studio Loos, The Hague, NL |
| 2010 | Presence [Tabacalera], IN-SONORA VI, La Tabacalera, Madrid, ES |
| Wavefield Synthesis (WFS) Concert (w/ Sara Pinheiro), Scheltema, Leiden, NL |
| From 20 to 20000 Hz (DJ Set), Extreme Computer Music Gala, Studio Loos, The Hague, NL |
| Loos Spring Concert, Studio Loos, The Hague, NL |
| 2009 | STEIM, Amsterdam, NL |
| From 20 to 20000 Hz (DJ AV Set w/ _blank), Experimentaclub, La Casa Encendida, Madrid, ES |
| The Hague Days of New Music, Studio Loos, The Hague, NL |
| Den Haag Onderwater, Studio Loos, The Hague, NL |
| From 20 to 20000 Hz: Aqua Flux (DJ Set), Wonderwerp, Regentenkamer, The Hague, NL |
| 2007 | From 20 to 20000 Hz (DJ Set), Sonikas Festival, Madrid, ES |
| 2005 | From 20 to 20000 Hz (DJ AV Set w/ Warez Lab), Experimentaclub, La Casa Encendida, Madrid, ES |
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| RESIDENCIES |
| 2021 | Visby International Centre for Composers (VICC), Visby, SE (scheduled) |
| 2020 | Ateljé Stundars - KulturÖsterbotten, FI (scheduled) |
| Leveld Kunstnartun, NO (scheduled) |
| 2019 | Elektronmusikstudion EMS, Stockholm, SE (scheduled) |
| T37 DIY Hackspace, Madrid, ES (scheduled) |
| 2018 | Visby International Centre for Composers (VICC), Visby, SE |
| 2016 | CONA Institute for Contemporary Arts Processing, Ljubljana, SI |
| 2015 | Mamirauá Institute for Sustainable Development, Tefé, Amazonas, BR |
| Laboratory for Acoustics and Sonic Arts (LASom), UNICAMP, São Paulo, BR |
| T37 DIY Hackspace, Madrid, ES |
| 2014 | Sonoscopia, Porto, PT |
| 2013 | ARE Holland, B93 Kunstenaarsinitiatief, Enschede, NL |
| Nau Côclea Contemporary Art Center, Camallera, Girona, ES |
| Matadero Contemporary Art Center, Madrid, ES |
| Q-O2 - Werkplaats Experimentele Muziek en Klankkunst, Brussels, BE |
| 2011 | ZKM Center for Art and Media, Karlsruhe, DE |
| INLAND Campo Adentro: Art, Agriculture & Territory, St Bartomeu del Grau, Barcelona, ES |
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| GRANTS & AWARDS (SELECTED) |
| 2019 | Francis Chagrin Award, Sound & Music, London, UK |
| 2018 | Acción Cultural Española (AC/E), PICE Mobility Grant, ES |
| 2017 | Süden Radio 2, Radio Papesse, Florence, IT — Shortlisted Work (Green Line) |
| 2016 | Francis Chagrin Award, Sound & Music, London, UK |
| 2015 | Santander Mobility Research Grant, Queen´s University Belfast, NI, UK |
| Larmour University Excellence Award, Queen ́s University Belfast, NI, UK |
| 2013 | DEL PhD Studentship Award (EU), Queen´s University Belfast, NI, UK |
| Campos de Sonido (EscapeSoundLandscapes), Sierra Arts Center, Huelva, ES — Awarded Work (limnee) |
| 2012 | 1st Sound-In Programme for New Creators, Estampa Contemporary Art Fair, Madrid, ES |
| 2011 | Europe: A Sound Panorama, Deutschlandradio Kultur, European Broadcasting Union’s (EBU) Ars Acustica, Goethe Institute, Radio Belgrade, ZKM Center for Art and Media Karlsruhe — Awarded Work (Three Impressions: Den Haag Onderwater) |
| 2009 | COST — European Cooperation in Science and Technology, Sonic Interaction Design (SID) Project Grant, Sound and Music Computing Conference (SMC), Casa da Música, Porto, PT |
| 2007 | On Air — V Prize for Radiophonic Art, Hablar en arte, Circulo de Bellas Artes, Madrid, ES — Awarded Work (Estertor Sibilante) |
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| INVITED TALKS, SEMINARS, WORKSHOPS & TEACHING APPOINTMENTS (SELECTED) |
| 2018 | Matadero Contemporary Art Center, Madrid, ES —Environmental Sound Recording: Anthropocentric and Non-human Listening Strategies, 1-Week Workshop |
| 2016 | PRAHA – Forum for Architecture and Media, Brno, CZ — Composing with Field Recordings, Artist Talk and Workshop |
| 2015 | Laboratory for Acoustics and Sonic Arts (LASom), University of Campinas (UNICAMP), São Paulo, BR — Sound ~ Space ~ Perception, Seminar for Postgraduate Students |
| Encontros Música Atual (EMA), Research Center on Sonology (NuSom), School of Communications and Arts (ECA), University of São Paulo (USP), São Paulo, BR — Artist Talk |
| University of Cantabria, Summer Courses, Noja, ES — Sound ~ Space ~ Perception: Sound Installation Approaches, Workshop |
| 2014—18 | Sonic Arts Research Centre (SARC), Queen´s University Belfast, NI, UK — Lecturer, Teaching Assistant, Projects Tutor — Semester Modules: Electroacoustic Composition; Fundamentals of Sound; Psychoacoustics; Designing Technologically Mediated Performance; Sound Recording & Production |
| 2014 | School of Natural and Built Environment (Architecture), Queen´s University Belfast, NI, UK — Listening Map of Sailortown, Recomposing the City Research Group & Street Society Annual Design Event, Seminar and 1-Week Project Mentoring |
| 2013 | AKI Artez Academy of Fine Arts and Design, Enschede, NL — SoundSpaces, Studium generale, Artist Talk |
| Nau Côclea Contemporary Art Center, L`Estartit, Girona, ES — Underwater Recording, Soundscape and Acoustic Ecology, 1-Week Workshop (w/ Orquestra del Caos, José Manuel Berenguer and Carlos Gómez) |
| European Acoustic Heritage, Cidade da Cultura, Santiago de Compostela, ES — Soundscape and Active Listening, 2-Day Workshop |
| University of Pontevedra, Fine Arts Department, Santiago de Compostela, ES — SoundSpaces, Seminar for Postgraduate Art Students |
| 2010 | Intermediæ, Matadero Contemporary Art Center, Madrid, ES — m2 de sonido: Introduction to Field Recording and Phonography, 2-Day Workshop |
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| CURATORIAL AND EDITORIAL PRACTICE (SELECTED) |
| 2009–11 | Sensxperiment XI: Sensory Immersion (2009-11), Lucena, Córdoba, Spain — Curator |
| 2007 | Aural Networks, Sónar a la carta, Sónar Festival, Barcelona, Spain — Curator |
| 2005–14 | Artesonoro.org — Founding Member, Editor, Coordinator Podcast Radio |
| 2004— | Mediateletipos.net — Founding Member, Editor |
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| COMMISSIONED WORKS (SELECTED) |
| 2019 | rAdioCUSTICA, Czech Radio, Prague, CZ (scheduled) |
| 2016 | untitled (sharawadji #141), Fundación Juan March for Sound Art in Spain (1961–2016), Madrid, ES |
| PS⁴, PS² Gallery for Tuning the White Walls (’art &... '[2] art and sound), Belfast, NI, UK |
| 2014 | !!!, La Casa Encendida for Itinerario, ¡VOLUMEN! Festival de Culturas Sonoras, Madrid, ES |
| kazum®, Rhizomatic Project Space for Rhizzo: De Supermarkt, Amsterdam, NL |
| 2013 | [in]audible, FON air radio commissions, Cumbria, UK |
| sharawadji, Matadero Contemporary Art Center for Species Deposit (public work), Madrid, ES |
| DUO, Matadero Contemporary Art Center for Nave Intermediæ, Madrid, ES |
| 2012 | limnee, Atelier De Création Sonore Radiophonique (ACSR) for Silence Radio´s Hiver 2012: In the End, Brussels, BE |
| 2011 | From 20 To 20000 Hz #31 [ATLAS], Reina Sofía Museum Radio (RRS) for Canal Procesos, Madrid, ES |
| 2010 | Presence [Tabacalera], Festival IN-SONORA VI, Madrid, ES |
| Sounding Site [Tabacalera], Festival IN-SONORA VI, Madrid, ES |
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| DISCOGRAPHY — SOLO & COLLABORATIVE RELEASES (SELECTED) |
| 2016 | limnee, self-released, Bandcamp — Digital (stereo and quadraphonic versions) |
| weathering, self-released, Bandcamp — Digital |
| soak, self-released, Bandcamp — Digital |
| 2015 | seven short pieces, Sonospace (UK) — Digital |
| 2014 | CÔCLEA, Very Quiet Records (UK) — Digital |
| 2013 | eight impressions, self-released, Bandcamp, Digital |
| 2010 | HOTS! #25: Madrid Soundscape vs Soinu Mapa (w/ Mikel R. Nieto), HOTS! Radio, Donostia/San Sebastián (ES) — Digital |
| 2008 | ruidos adventicios, Desetxea (EUS/UK) — Digital |
| 2004 | TAZ, CC-Capitalia (ES) — Digital |
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| DISCOGRAPHY — COMPILATIONS (SELECTED) |
| 2017 | 49º 23′ 35″ N 19º 32′ 52″ E, on INNERSCAPE, VacuaMœnia (IT) — Digital |
| 2016 | Aeolian Transmission (excerpt), on Sound Art in Spain (1961-2016), Fundación Juan March (ES) — Exhibition Catalog, Book + USB |
| 2015 | 52° 4' 56" N 4° 20' 39" E, on audio-DH: sonic manifestations by 250 creators from The Hague, iii Editions (NL) — USB Card and Digital |
| 42° 12' 16" N 04° 29' 37" W, on Paisajes Sonoros a Moravia, Sonema (COL) — Digital |
| #137 (submersion), on WLD 2105 - H2O, Sonic Terrain (COL) — Digital |
| 2014 | 54° 36’ 5” N 6° 2’ 5” W, on Framework:::Seasonal Issue #7 Winter 2014 (EE) — CD |
| 49° 17’ 53" N 18° 45’ 39" E, on WLD (World Listening Day) Compilation 2014, Green Field Recordings (PT) — Digital |
| 40° 24’ 22'' N 3° 42’ 9’’ W, on audio-MAD: 100 Audio-Artist(a)s (de)From Madrid, CentroCentro (ES) — DVD and Digital |
| 55° 14’ 30’' N 6° 22’ 56’’W, on World Listening Day 2014, Sonic Terrain (COL) — Digital |
| autohypnosis loop (∞), on 1 Minute Autophypnosis #22, Mute Sound Records (ES) — 3”CD |
| 52° 4’ 35” N 4° 19’ 52” E, on (h)ear XL II Exhibition Compilation, kunstencentrumSigne (kuS) (NL) — DVDr |
| 42° 7’ 00” N 3° 08’ 37” E, on Microtopies 2014: 50 Miniatures Sonores de Música i Geografía, Gràcia Territori Sonor (ES) — Digital |
| !!!, on Malmusic Mechanisms, IFAR (Institute for Alien Research) (UK) — Digital |
| 52° 4’ 35” N 4° 19’ 52” E, on LIMO, República Ibérica Ruidista (ES) — Digital |
| ph13, on Sound Interpretation: Berlin, Haze (BY) — Digital |
| 2012 | green line (Maghrib prayer), on Somewhere On The Edge, Gruenrekorder (DE) — Digital |
| Aeolian Transmission, on Sound-In 2012, Feria de Arte Contemporáneo Estampa (ES) — CD |
| SBG#1, on (h)ear Festival Sampler (NL)— CDr |
| ståtic limbø [a07], Ursonate 002 (ES) — Magazine + CDr |
| 2011 | ochiba-walk (Casa del Reloj), on Fallen Leaves: Ochiba, Field Noise Records (JP) — Digital |
| 2010 | rising down, on Elevator Music, Gallery Aferro (USA) — CD |
| 2008 | Sollozo Cavernoso, on The Best of NTNS Radio, Not The Normal Shit Radio (NL) — Digital |
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| RADIO BROADCASTS FM & ONLINE (SELECTED) |
| 2017 | Süden Radio 2, Radio Papesse, Florence, IT |
| Concertzender: Electronic Frequencies (19.07.2017) ‘Sound Art in Spain (1961-2016)’, NL |
| 2016 | Helicotrema Festival: Current Scapes (curated by Nicola di Croce), IT |
| Ars Sonora ‘Escuchar con los ojos’ (31.12.16), Radio Clásica, Spanish National Radio (RNE), ES |
| 2015 | framework radio #503 ‘framework:afield (by Blanca Rego)’ (15.03.2015), EE, Resonance FM |
| radioCona:Zima FM, Ljubljana, SI |
| 2014 | The Dark Outside FM, Galloway Forest, SL, UK |
| El Tramoyista Verde ‘¡VOLUMEN! Festival de Culturas Sonoras. Entrevista’ (08.01.2014). Radio Arrebato, ES |
| Microtopies 2014, Ràdio Pica FM, Barcelona, ES |
| framework radio #493 (21.12.2014), EE, Resonance FM |
| 2013 | Resonancias ‘Pablo Sanz — DUO’ (25.06.2013), Radio 3 Extra, Spanish National Radio (RNE), ES |
| self/noise #3.1: «World Listening Day 2013: ¿Escucharon?» (18.07.2013), Madrid, ES |
| self/noise #4: Augmented Spatiality, Ágora Sol Radio, Madrid, ES |
| Echoes: How To Get Lost And Start Listening, Osso/Stress.Fm, Lisbon, PT |
| Ars Sonora ‘Sound-In’ (12.10.2013), Radio Clásica, Spanish National Radio (RNE), ES |
| 2012 | Hiver 2012: In The End, Silence Radio, BE |
| Reina Sofía Museum Radio (RRS), ‘Pablo Sanz — From 20 To 20000 Hz #31 [Atlas]’ Madrid, ES |
| Vía Límite ‘New age on noise’ (10.04.2012), Radio Clásica, Spanish National Radio (RNE), ES |
| Concertzender: Electronic Frequencies (10.12.2012) ‘(h)ear festival — The Art of Sound’, NL |
| 2011 | Broadcasting Den Haag, Framework Radio (EE), Resonance FM, UK |
| Gene Pool #52: Hidden Sounds, South Hill Park, Bracknell, UK |
| Taller de Arte (30.03.2011), Radio Clásica, Spanish National Radio (RNE), ES |
| Ars Sonora ‘Festival Son’ (30.04.2011), Radio Clásica, Spanish National Radio (RNE), ES |
| Vía Límite ‘Son’ (5.04.2011), Radio Clásica, Spanish National Radio (RNE), ES |
| Klangkunst Langen Nacht ‘Europa – Ein Klangpanorama’ (31.10.2011), Deutschland Radio Kultur, DE |
| Klangkunst ‘Europa – Ein Klangpanorama’ (28.10.2011), Deutschland Radio Kultur, DE |
| Podcast Ausgabe #52, ‘Europa – Ein Klangpanorama’ , Goethe Institute, DE |
| Hertz Anniversary Live Streaming Project, Rádio Zero, Lisbon, PT |
| 2010 | HOTS! #25 (w/ Mikel R. Nieto), HOTS! Soundscape Radio, Donostia/San Sebastián, ES |
| RadiaLX 2010: Radio Art Festival, Rádio Zero, Lisbon, PT |
| 2009 | Illuminated Corridor, Port Radio, Middle Harbor Shoreline Park, Oakland, US |
| 2008 | RadiaLX 2008: Radio Art Festival, Rádio Zero, Lisbon, PT |
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| BIBLIOGRAPHY |
| 2018 | The Futch, Sala de Arte Joven, Se busca comisario, Comunidad de Madrid, ES. Essay apropos kazum®, by Andrea Zarza. ISBN 9788445137000 — Catalog (Spanish) |
| 2017 | Znějící, rezonující, vibrující (Sounding, resonating, vibrating), Gallery Sokolská 26 and Bludny kámen, Ostrava, CZ — Catalog (Czech/English) |
| 2016 | Arte sonoro en España, 1961-2016, Fundación March, ES. ISBN 9788470756429 — Catalog (Spanish/English) |
| Milczenie dźwięków (The Silence of Sounds). MWW - Wroclaw Contemporary Museum, Wroclaw, PL. ISBN 978-83-62290-58-1 — Catalog (Polish) |
| 2014 | De Grote Haagse Kunstkalender 2014. Trichis Publishing. The Hague, NL. ISBN 978- 94-90608-68-2 (Dutch) |
| Xil, Xoan. “La fonografía más allá del fonógrafo / Phonography beyond the phonograph”. MASE. Historia y presencia del Arte Sonoro en España. Bandaáparte Editores. ISBN 978-84-940439-9-4 (Spanish/English) |
| 2012 | Espejo, Jose Luis. “Sounding Site [Tabacalera] — Entrevista Pablo Sanz y Juan Cantizzani”. URSONATE 000000002 — Magazine + CD (Spanish) |
| “Nieuwe geluiden en sneeuwvlokjes tijdens (h)ear festival 2012”. Gonzo Circus. 03.12.2012 — Online (Dutch) |
| Noiseau, Etienne. “Création sonore : vive le vent’ (Review: Aeolian Transmission)”. Télérama, FR 24.12.2012 — Online (French) |
| 2011 | SENSXPERIMENT 2011. Inmersión Sensorial. Weekend Proms. ISBN: 978-84-938050-5-0 (Spanish/English) |
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